Best Presonus Eureka
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PreSonus Studio Channel 1-Channel Vacuum-Tube Channel Strip with 1 Year Free Extended Warranty and Microfiber
PreSonus Studio Channel
The Anywhere Channel
We admit it: we screwed up. We named this preamp and signal processor the Studio Channel, and indeed it’s a wonderful studio tool. But it’s great for live performance, too. So okay, we got the channel strip’s name wrong. But we got the design right.
One of our newest signal processors, the versatile Studio Channel provides tube preamplification, dynamics processing, and EQ and takes the channel-strip concept in a bit different direction than does its older sibling, the Eureka.The Studio Channel’s Class A tube preamplifier is based on our original BlueTube DP preamp and features a high-output 12AX7 tube that operates on voltages double that of other preamplifiers in its class. The result is lots of headroom and big tone. Gain and Tube Drive controls enable a wide range of sounds, from transparent and clear to edgy and overdriven.
Our VCA-based compressor is known for musicality and fast attack, with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel’s compressor allows you to record blazing-hot signals with total dynamics control. Its convenient Auto Attack/Release feature provides preset attack and release curves. The backlit VU meter can display gain reduction or output gain.
The custom-designed amplifiers in the Studio Channel’s three-band EQ deliver sweet-sounding gain and cut for smooth highs; deep, solid lows; and clear midrange. The midrange band is fully parametric, with variable Q. The high- and low-frequency bands have Frequency and Gain controls, but fixed Q, and can be either shelving or peak bands. The EQ can be pre- or post-compressor, and you can bypass each stage independently.
1 Year Free Extended Warranty and Microfiber.
dbx 286s Microphone Preamp & Channel Strip Processor
- Studio quality Mic Preamp/Channel Strip Processor
- Classic dbx Compression puts great sound within easy reach
- Frequency tunable De-Esser reduces sibilance and high frequency distortion
- Enhancer increases the detail and definition of the high and low frequencies
- Program adaptive Expander/Gate. Frequency response: 20Hz to 20kHz
- Input: 1/4″ TRS (x2) and XLR (x1)
- Output: 1/4″ TRS (x1)
- Operating voltage: 120VAC 60Hz, 100VAC 50/60Hz
- Purchase includes: dbx286s, power cord, operation manual, and rack mount screws and washers (x4)
PreSonus AudioBox USB 2×2 Audio Interface – Includes Studio One
- Bus-powered USB audio and MIDI interface
- 24-bit resolution, 44.1 and 48 kHz sampling rate – NEW VERSION goes to 96 kHz
- 2 combo mic/instrument inputs with high-performance, low-noise, high-headroom mic preamplifiers
- Zero-latency analog monitoring
- Includes free download of Studio One 3 Artist DAW software and 6+ GB of third-party resources after product registration
- Compatible with almost all recording software for Mac- and Windows
A great choice for mobile musicians and podcasters, the 2-channel AudioBox USB is bus-powered, compact, ruggedly built, and works with virtually any PC or Mac recording software. It boasts high-performance Class A mic preamplifiers and professional-quality, 24-bit converters. And it comes with PreSonus’ amazing Studio One 3 Artist DAW software for Mac and Windows (free download after registration).
PreSonus Studio Channel Vacuum-Tube Channel Strip
- High-voltage Class A 12AX7 vacuum-tube mic/instrument preamplifier
- Gain, Tube Drive, HP filter, -20 dB pad, phantom power, polarity reverse3-band EQ features variable-Q on mid-band w/ peak/shelving on high- and low-bands
- Variable VCA compressor with Auto Attack/Release and Soft/Hard Knee
- 3-band EQ with parametric mid and semi-parametric, shelving/peak low and high bands
- Instrument, line, and mic inputs
- 1U 19” rack-mountable, rugged steel chassis
Product Description
The Studio Channel is great for studio and live use. Its Class A preamp features a high-output 12AX7 tube and Gain and Tube Drive controls. The full-featured, VCA-based compressor includes Auto Attack/Release. The EQ can be pre- or post-compressor and has a fully parametric mid band and semi-parametric high and low bands that can be shelving or peak
From the Manufacturer
The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards and synths, the Studio Channel has the sonic power and flexibility to achieve any tone you can dream of – luscious in your face vocals, crystal clear acoustic guitars, fat solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks and more.
Enhance your signal path
The Studio Channel noticeably outperforms preamplifiers that are built-in to most recording interfaces and affordable mixers. Add a VCA-based compressor and studio-grade equalizer to the class A tube preamp and you get not only big fat tube tonality but also complete control of your tone and sounds. Since much of the recording process is accomplished one track at a time, you need a signal path that can deliver a variety of high quality tones and sounds, which is why the Studio Channel is the perfect tool for any studio.
Class A Tube Preamplifier
The Studio Channel has everything needed to deliver big tone. The preamplifier stage of the Studio Channel is based on the award winning BlueTube preamplifier with a high output 12AX7 vacuum tube operating on voltages double than all other preamplifiers in its class delivering high headroom and big tone. Dual control Gain and Tube Drive enables a wide range of sounds from transparent and clear to edgy and overdriven.
Full Featured VCA Compressor
The compressor in the Studio Channel is a fully variable ultra-fast and smooth VCA-based circuit with all of the controls needed for a wide range of compression settings: ratio, threshold, attack, release and gain make up. The VCA-based compressor is known for musicality as well as ultra fast attack with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel’s compressor stage allows you to record as hot as needed without clipping giving you total dynamic control.
Three Band Parametric EQ
The equalizer in the Studio Channel is like a Swiss Army pocket knife, with the ability to carve out unwanted frequencies as well as tailor your tone to enhance your sound. The custom-designed amplifiers in the EQ deliver sweet-sounding gain/cut for ultra smooth highs, deep solid lows and clear midrange. The mid-band of the EQ section has variable Q for controlling the width around the center point of the selected frequency. High and low frequency bands give you the option for selecting peak/dip or shelving frequencies.
Channels | One | |
Dynamic Range | >115 dB | |
Frequency Response | 10 Hz to 50 kHz | |
Internal Operating Level | 0 dBu = 0 dB | |
Microphone Preamp | ||
Gain | -6 dB to +66 dB (+/- 10dB trim on line input) | |
Noise Floor | -96 dBu | |
EIN | -126 dB | |
THD + Noise (0% Tube Drive) | < 0.050% | |
THD + Noise (100% Tube Drive) | < 0.10% | |
Microphone Input Connector | XLR | |
Microphone Input Impedance | 1.3 kΩ | |
Instrument Input Connector | ¼” TS | |
Instrument Input Impedance | 1 MΩ | |
Line Input Connector | ¼” TRS | |
Line Input Impedance | 10 kΩ | |
Phantom Power (switchable) | +48V | |
Pad (switchable) | 0 dB / -20dB | |
Phase (switchable) | 0°, 180° | |
Hi-pass filter (switchable) | -3 dB at 80 Hz | |
Compressor | ||
Threshold (variable) | -40 dBu to +2- dBu | |
Ratio (variable) | 1-10 (1:1 to 2:1) | |
Attack (variable) | 0.1 to 200 ms | |
Release (variable) | 0.05 ms to 3 S | |
Gain Make Up | -10 dB to +10 dB | |
Metering | Analog VU (Gain Reduction / Output) | |
Equalizer | ||
LF Band Controls: | ||
Frequency | Variable from 40 Hz to 500 kHz | |
Gain | Variable between ±10 dB | |
Q | 0.7 (on ‘peak’ setting) | |
MF Band Controls: | ||
Frequency | Variable from 200 Hz to 3 kHz | |
Gain | Variable from -10 dB to +10 dB | |
Q | Variable from 0.7 to 2.5 | |
HF Band Controls: | ||
Frequency | Variable from 2 kHz to 20 kHz | |
Gain | Variable between ±10 dB | |
Q | 0.7 (on ‘peak’ setting) | |
Master | ||
Output Fader | -80 dB to +10 dB | |
Output Connectors | XLR Balanced and ¼” TRS Balanced/Unbalanced | |
Output Impedance | 51 Ω | |
Metering (Output level) | Analog VU (-20 dBu to +6 dBu) | |
Metering (Gain Reduction) | Analog VU -20 dB to 0 dB | |
Output Headroom | +22 dBu | |
Power Supply | ||
Type | Linear | |
Input | 16 VAC / 1000mA | |
Power Requirements (Continuous) | 16W | |
Transformer | External (country specific) | |
Physical | ||
Size | 1U Rack | |
Dimensions | 19” x 1.75” x 5.5” | |
Weight | 5 lbs |
PreSonus Eureka Pro Recording Channel
PreSonus BlueTube DP 2-Channel Vacuum Tube Dual-Path Mic Pre
PreSonus BlueTube DP V2 2-channel Mic/Instrument Tube Preamp
- Dual path, with both 12AX7 vacuum tube and solid-state gain stages
- Combo mic/instrument inputs with Class A XMAX mic preamplifiers and 48V phantom power
- Tube Drive tube-saturation control
- Illuminated analog VU input-level meter
- 80 Hz high-pass filter, -20 dB pad, Polarity-reverse switch
- Compact 1/2U rack-mount chassis
Enjoy solid-state clarity or tube warmth with the BlueTube DP dual-path mic/instrument preamp, which features both PreSonus’ classic Class A XMAX solid-state mic preamplifier and a high-output,12AX7 tube preamp that operates on voltages double that of other preamps in its class, providing lots of headroom and big tone. A Tube Drive control produces anything from gentle warmth to edgy distortion. With two combo mic/instrument inputs, the half-rackspace BlueTube DP is a great choice for guitars and basses as well as vocals.
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PreSonus AudioBox USB 96 2×2 USB Audio Interface
- Bus-powered USB 2.0 audio and MIDI interface
- Compatible with almost all recording software for Mac and Windows
- 24-bit resolution
- 44.1, 48, 88.2, and 96 kHz sampling rates
- 2 combo mic/instrument inputs with high-performance, low-noise, high-headroom mic preamplifiers
- Includes Studio One Artist DAW software and 6+ GB of third-party resources
- Includes the Studio Magic Plug-In Suite
- Frequency Response is 20 Hz to 20 kHz
A great choice for mobile musicians and podcasters, the 2-channel AudioBox USB 96 is bus-powered, compact, ruggedly built, and works with virtually any PC or Mac recording software. It boasts high-performance Class A mic preamplifiers and professional-quality, 24-bit, 96 kHz converters. And it comes with PreSonus’ amazing Studio One 3 Artist DAW software for Mac and Windows.
Presonus TubePre v2 Tube Preamplifier DI Box
- 12AX7 tube-based preamp with XMAX solid-state input stage
- Gain control and Tube Drive saturation control
- Low-noise dual-servo (no capacitors) gain stage
- Separate instrument and mic inputs
- Phantom power, HP filter, -20 dB pad, and polarity-reverse
- Compact 1/3U rack-mount chassis
Twist the TubePre V2 Drive saturation control and add the “color” that only a hand-selected 12AX7 vacuum tube can deliver— from gentle warmth to total fuzz. Unlike other compact tube preamps, TubePre V2 starts with the low noise, high headroom Class A XMAX preamp input stage found in our premium interfaces and digital mixers. Discrete components and high-voltage operation deliver best-in-class dynamic range and detail not found in other single-channel tube preamps.
PreSonus ACP88 8-Channel Compressor/Limiter/Gate
Product Description
With eight independent analog compressor/limiters and gates, the two-rackspace ACP88 solves a host of problems. Each channel has a fully variable compressor with sidechain loop, soft/hard-knee compression, and an Auto Attack feature that applies preset attack and release curves. The full-featured gate includes a gate-range switch and a sidechain/key insert loop. Each channel can be bypassed.
Amazon.com
The ACP88 gives you total dynamics control for multi-tracking and live sound reinforcement. Eight compressor/limiters deliver transparent dynamics control. Eight full featured gates seamlessly control unwanted noise and bleed-through. Control vocals, tame drums, protect speakers, tighten the low-end all from just two rack spaces of powerful processing.
Features
- Eight Full Featured Compressor/Limiters
- Eight Full Featured Gates
- Side Chain on Every Channel
- Trigger Inputs on Every Channel
- Balanced/Unbalanced I/O
- Comprehensive Linking via Unique Power Summing Bus
- Takes the Place of Multiple Processors
- Crystal Clear Compression & Gating for Multi-Tracking & Live Sound
- Allows Spectral Processing & Gate Keying via Separate Jacks
- +4/-10 Stereo Operating Level
Specifications
- Number of Channels: Eight
- Dynamic Range: >115dB
- Signal to Noise Ratio: >95dB
- Headroom:
+24dBu, Unbalanced
+18dBu, Balanced - Frequency Response: 10Hz to 50kHz
- Crosstalk: <82db @10khz="">82db>
- Compression Threshold Range: -40dBu to +20dBu
- Compression Ratio: 1:1 to 20:1
- Compressor Attack Time: 0.02ms to 200 ms
- Compressor Release Time: 0.5ms to 500ms
- Auto Attack and Release: Program Dependent
- Gate Threshold Range: -70dBu to +20dBu
- Gate Attack Time: 0.01ms to 100ms
- Gate Release Time: 0.02ms to 2 sec
- Gate Attenuation Range: -15dB or -60dB
- Input Impedance: 10k Ohms
- Output Impedance: 51 Ohms
- THD + Noise: <0.02%>0.02%>
- Output Gain: -20dB to +20dB
- Compression Curve Types: Hard and Soft Knee
- Compression Metering: Above/Below Threshold LED
- Gate Metering: Open and Closed LED
- Sidechain Output Impedance: 51 Ohms
- Sidechain Input Impedance: 10k Ohms
- Internal Operation Level: +4dBu=0dBu
- Input Range: +4dBu or -10dBu
- Input Connectors: 1/4″ TRS, Balanced or Unbalanced
- Output Connectors: 1/4″ TRS, Balanced or Unbalanced
- Compressor Sidechain Connector: 1/4″ TRS
- Gate Sidechain Connector: 1/4″ TRS
- Power Supply: Internal, Linear Supply
- Power Requirements: 100V AC to 120V AC or 200V AC to 240V AC
- Power Connection: IEC Receptacle
- Size: 2U Rack
- Dimensions: 19″ x 3.5″ x 7″
- Weight: 12lbs
PreSonus HP2 Personal Headphone Amplifier
- 9V Battery or DC-powered, stereo headphone amplifier
- Inputs: 2 female XLR connectors, Output: stereo, 1/8″ phone connector
- Volume and Pan control knobs, Stereo/Mono operation switch
- Battery-health LED indicators
- Includes belt clip, microphone stand mount socket, 2m cable
- Perfect for driving wired in-ear monitors (IEMs), as well as headphones
Designed for musicians and performers who demand mobility without compromising audio quality, the HP2 stereo personal headphone amplifier is a great choice for driving wired in-ear monitors (IEMs), as well as headphones. Portable and compact, it offers two XLR line-level inputs and one stereo 1/8-inch headphone output with volume control and can be powered by a 9V battery or a DC power supply. Operation can be switched between stereo and mono, and a Pan knob is provided. A 2 meter audio cable is included.
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